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Jul 5, 2016

"The BFG" - Big Failure?

Yeah, yeah - the headlines have already declared Stephen Spielberg's "The BFG" a box office bomb. It's taken in over $26M this holiday weekend in US gross alone, which is not too shabby for a fairy-tale film. So why declare it a failure right out the gate? Sadly, the current pace shows this kid-friendly summer fare will fail to earn back the $140M Disney sank into it.

The real question is, why the dismal returns given the big names involved? Has Spielberg lost his mojo? Are current generations just unfamiliar or apathetic toward the works of Dahl? Did marketing fail to get the word out?

     More than likely, it's the film itself. Here's a few of the problems I see up front:
  • For a big budget summer release - this feature lacks any recognizable faces. The Disney audience (think 5-12 year-olds) is used to seeing their favorite stars lead Disney pictures when live action is involved. This one boasts a newcomer (the adorable Ruby Barnhill) and no familiar characters like its oceanic competition.
  • It's dated, but not appealingly so. For some inexplicable reason, this one seems to be set in the 1980's, but only referentially via a "Nancy & Ron" reference. Today's kids are, well, self-centered. If you're going to set a film in the past, it has to hit them on the heads with it or focus on a timeline they recognize.
  • The pacing is slow. Painfully slow at times. The film is, as expected, beautifully shot and filled with gorgeous FX, but someone must've fallen asleep in the editing room. The timing is just...off.
  • There's little to no humor. This film is bittersweet and somewhat sad. There's very little funny involved, with the exception of a couple of scenes. Kids today aren't attracted to bittersweet.
  • The story itself doesn't speak to modern audiences. In a world where people are fighting for acceptance for all kinds, this story misses the opportunity to highlight common struggles, glossing over the conflict sure to arise when the BFG first reveals himself to the "human beans." Even the anti-bullying message is lost in all the FX gloss.
  • It's too long for it's target audience. This film is rated PG, (which explains all the missed opportunities within the story), automatically targeting the 5 to 12 age group. At 1:57 running time, no sane adult is going to bring a young child to see it in the theaters. Let's face it, anything over 85 minutes is straying into meltdown territory for younger kids, and guarantees you're going to miss at least 5 minutes running to the bathroom mid-show.
  • Timing - Disney is splitting it's own audiences by opening during the "Finding Dory" run. With most kid-oriented films enjoying 6-8 week theater runs lately, it hardly makes sense to launch "The BFG" two weeks after the much-anticipated "Finding Dory," which targets the EXACT SAME AUDIENCE. I think this film would have fared much better around the winter holiday season or early fall, when fewer family films are available and the story of an orphan finding a home feels more significant than the mid-summer popcorn and explosions season.
All that being said, I enjoyed the film. Mostly because the CGI "BFG" looked and acted an awful lot like my long-since-passed beloved grandfather. Okay, and the story is sweet and Ruby Barnhill was adorable. Plus, I'm a Roald Dahl fan and could watch "James and the Giant Peach" over and over again. My 12-year-old indie fan of a daughter also enjoyed the film, but it merited only slightly above the "Meh" rating for her.

What can aspiring filmmakers do to avoid similar financial quagmires like "The BFG?" It's simple:
  1. Know your target audience. If you're targeting kids, keep it short and funny.
  2. Remember even classical adaptations need to "speak" to modern movie-goers.
  3. Edit, edit, edit. Even big budget films could use a good trim before release.
  4. Watch your release dates! Especially when the competition is your own studio.

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